museoanartapp
Museo
museoanartapp

Museo

museoanartapp
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A new way for art lovers to explore and engage with museums! Start exploring and planning your next art visit by getting our ios app today!
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the whiney magazine cover with different types of words and phrases on blue background
Ryan Kuo: Hateful Little Thing
Ongoing online exhibition. Ryan Kuo’s online project “Hateful Little Thing” consists of text boxes that replicate and cover the pages of whitney.org every day at sunrise and sunset (EST). Addressing the act of taking up “white space” — in the sense of both the white background of whitney.org and the structural whiteness of institutional power — these short texts highlight the complexities of hate, racism, and exclusion.
the disneyland business card has been designed to look like it is from disney's animated movie
Inspiring Walt Disney: The Animation of French Decorative Arts
Opened on December 10, 2021 at The Met. The Met’s first-ever exhibition exploring the work of Walt Disney and the Walt Disney Animation Studios’ hand-drawn animation. If you’re a fan of Disney animation, French art, decorative arts, and the Rococo style, you won’t want to miss this exhibition. Take a closer look at Disney’s personal fascination with European art and the use of French motifs in his films and theme parks.
an empty room with the word museum in white letters on it and a blue background
Lucy Raven
On view through December 30, 2021 at Dia Chelsea. As a native of Tucson, Arizona, Raven often draws inspiration from the terrestrial and built landscapes of the American West and investigates the industrial production systems and extractive economies that have long shaped the region. The exhibition features two new commissions by Raven, where she continues to explore issues of labor, technology, and the hidden mechanisms of power through light installations and video.
the whitney book cover with art supplies
Michael Mandiberg: Live Study
Ongoing online exhibition. A live video stream from Mandiberg's studio shows the artist painting portraits of the 56 people who have worked for them over the last 15 years. Each canvas is sized according to the total hours worked by the person at one square inch per hour, making visible the usually hidden labor of studio assistants and interns in the art world. As a durational performance lasting 1,000+ hours, it memorializes the time and energy given to Mandiberg by the portraits' subjects.